<p class="ql-block">本文章聚焦于李剛?藝禪先生對中國文字藝術(shù)的探索實踐，深入剖析其以甲骨文為核心，通過現(xiàn)代藝術(shù)視覺賦能象形文字的創(chuàng)作理念與成果。探討其甲骨文《百家姓》新藝術(shù)視覺作品在色彩運用、理論構(gòu)建等方面的獨特之處，展現(xiàn)中國古老文字藝術(shù)在當代語境下的創(chuàng)新與傳承，以及其對于推動中國文字走進大眾生活、激發(fā)尋根意識的重要意義。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／姚 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">This article focuses on Mr. Li Gang Yichan's exploration and practice of Chinese character art, deeply analyzing his creative concept and achievements of using oracle bone script as the core and empowering pictographic characters through modern art vision. Exploring the unique features of the new art visual work "Hundred Family Surnames" in its oracle bone inscriptions, including color application and theoretical construction, showcasing the innovation and inheritance of ancient Chinese writing art in the contemporary context, and its significant role in promoting Chinese characters into people's lives and inspiring root seeking consciousness.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／郭 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block">中國文字，作為中華民族文明傳承的重要載體，蘊含著深厚的歷史文化底蘊。甲骨文作為中國最古老的成熟文字系統(tǒng)，以其象形的特質(zhì)承載著先民的智慧與生活印記。在當代藝術(shù)發(fā)展的浪潮中，如何讓古老的甲骨文字煥發(fā)新的生機，成為眾多藝術(shù)家探索的課題。李剛?藝禪憑借其對文字藝術(shù)的熱愛與執(zhí)著，從小浸潤于毛筆字書寫，并擁有書法藝術(shù)教育工作經(jīng)歷，以獨特的視角與藝術(shù)手法，開啟了對甲骨文字密碼的探索，通過現(xiàn)代藝術(shù)視覺賦能象形文字，在文字藝術(shù)領(lǐng)域取得了令人矚目的成果。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／李 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">Chinese characters, as an important carrier of the inheritance of Chinese civilization, contain profound historical and cultural heritage. As the oldest mature writing system in China, oracle bone script carries the wisdom and life imprints of our ancestors with its pictographic characteristics. In the wave of contemporary art development, how to revitalize ancient oracle bone inscriptions has become a topic of exploration for many artists. Li Gang Yichan, with his love and persistence in the art of writing, has been immersed in calligraphy writing since childhood and has experience in calligraphy education. With a unique perspective and artistic technique, he has explored the code of oracle bone script and empowered pictographic characters through modern art vision, achieving remarkable results in the field of writing art.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">作品／白 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">尺寸／0.50X0.60</span></p> <p class="ql-block">甲骨文作為象形文字，其字形與所表達的事物、概念之間存在著直接的視覺關(guān)聯(lián)，這一特質(zhì)使得甲骨文不僅僅是簡單的符號，更是一幅幅生動的圖畫，蘊藏著豐富的文化密碼。例如，“日”字像一個圓形中間加一點，模擬太陽的形態(tài)；“月”字則取月亮的彎鉤之形 。這些象形文字記錄了殷商時期人們的生產(chǎn)生活、宗教信仰、天文地理等諸多方面的信息，是打開古代社會的一把鑰匙。李剛?藝禪敏銳地捕捉到甲骨文的這一特質(zhì)，將其作為藝術(shù)創(chuàng)作的核心元素，試圖通過現(xiàn)代藝術(shù)手法解碼并重新詮釋這些古老的文化密碼。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／薛 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">As pictographic characters, oracle bone inscriptions have a direct visual correlation between their shapes and the things and concepts they express. This characteristic makes oracle bone inscriptions not only simple symbols, but also vivid pictures that contain rich cultural codes. For example, the character "day" resembles a circle with a dot in the middle, simulating the shape of the sun; The character 'moon' takes the shape of the curved hook of the moon. These pictographic characters recorded various aspects of people's production and life, religious beliefs, astronomy and geography during the Yin and Shang dynasties, and were a key to unlocking ancient society. Li Gang Yichan keenly captures this characteristic of oracle bone inscriptions and regards them as the core element of artistic creation, attempting to decode and reinterpret these ancient cultural codes through modern artistic techniques.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">作品／唐 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">尺寸／0.50X0.60</span></p> <p class="ql-block">李剛?藝禪耗費十余年時間，致力于將現(xiàn)代藝術(shù)視覺與甲骨文字相結(jié)合，為象形文字賦予全新的生命力。在其甲骨文《百家姓》新藝術(shù)視覺作品中，這一融合體現(xiàn)得淋漓盡致。</p><p class="ql-block">每幅作品都運用斑斕的繪畫色彩，這種色彩運用方式深受敦煌石窟壁畫色彩的啟發(fā)。敦煌壁畫色彩絢麗、層次豐富，通過礦物質(zhì)顏料的運用，歷經(jīng)千年依然光彩奪目。李剛?藝禪借鑒其色彩搭配與表現(xiàn)手法，將甲骨文字置于色彩的海洋之中。例如，在表現(xiàn)“王”氏的甲骨文作品中，以金色為主色調(diào)，象征王者的尊貴與威嚴，同時輔以紅色、藍色等色彩進行點綴和渲染，使文字仿佛從歷史的深處走來，既保留了甲骨文古樸的韻味，又增添了現(xiàn)代藝術(shù)的視覺沖擊力。這種色彩的創(chuàng)新運用，打破了傳統(tǒng)甲骨文書法作品黑白為主的固有模式，為作品注入了新的活力與情感表達。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／王 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Li Gang and Yi Chan have spent over ten years dedicated to combining modern art vision with oracle bone script, giving new vitality to pictographic writing. In his oracle bone script "Hundred Family Surnames" new art visual work, this fusion is vividly reflected.</span></p><p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">Each work uses colorful painting colors, which are deeply inspired by the colors of Dunhuang grotto murals. The Dunhuang murals are colorful and richly layered, and through the use of mineral pigments, they have remained dazzling for thousands of years. Li Gang Yichan drew inspiration from his color matching and expression techniques, placing oracle bone inscriptions in a sea of colors. For example, in the oracle bone inscriptions depicting the "Wang" clan, gold is the main color tone, symbolizing the nobility and majesty of the king, while red, blue and other colors are used for embellishment and rendering, making the text seem to have walked from the depths of history, retaining the ancient charm of oracle bone inscriptions and adding visual impact of modern art. The innovative use of this color breaks the traditional pattern of black and white in oracle bone script calligraphy works, injecting new vitality and emotional expression into the works.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">作品／鳳 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">尺寸／0.50X0.60</span></p> <p class="ql-block">在表現(xiàn)形式上，李剛?藝禪突破了傳統(tǒng)書法的局限，將繪畫、設(shè)計等多種藝術(shù)元素融入其中。他不再僅僅追求甲骨文書寫的規(guī)范性，而是更加注重文字與畫面整體意境的營造。在創(chuàng)作過程中，他巧妙地運用線條的粗細、曲直變化，結(jié)合光影效果，使甲骨文字在平面上產(chǎn)生立體感和空間感。例如，在“鳳”氏甲骨文作品中，通過對鳳鳥形象的抽象化處理，將甲骨文中與鳳相關(guān)的字形與現(xiàn)代藝術(shù)中的線條造型相結(jié)合，描繪出一只靈動飄逸的鳳鳥，使觀者在欣賞作品時，不僅能感受到甲骨文的文字之美，更能體會到其中蘊含的藝術(shù)想象與意境。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／何 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">In terms of expression, Li Gang Yichan broke through the limitations of traditional calligraphy and integrated various artistic elements such as painting and design into it. He no longer only pursues the standardization of oracle bone script writing, but pays more attention to the creation of the overall artistic conception of words and images. In the creative process, he cleverly used the thickness and curvature of lines, combined with light and shadow effects, to create a three-dimensional and spatial sense for oracle bone inscriptions on a flat surface. For example, in the "Feng" oracle bone script works, by abstracting the image of the phoenix bird, the shapes related to the phoenix in the oracle bone script are combined with the line shapes in modern art to depict a lively and graceful phoenix bird. This allows viewers to not only feel the beauty of the oracle bone script text, but also appreciate the artistic imagination and imagery contained within it when appreciating the work.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／羅 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block">李剛?藝禪不僅在藝術(shù)創(chuàng)作實踐上不斷探索，還構(gòu)建了《天垂象派》理論學說，為其文字藝術(shù)創(chuàng)作提供了堅實的理論支撐。該理論學說深受喬達摩?悉達多思想的影響，強調(diào)“本體世界”的概念，認為“兩點之間就是當下，從兩點之間擊穿進去就是覺性的本體世界” 。在其甲骨文作品創(chuàng)作中，這一理論得到了充分的體現(xiàn)。每一幅作品都試圖引導觀者從眼前的畫面（兩點之間的當下）深入探索，從而進入到文字背后所蘊含的無限精神空間（本體世界）。</p><p class="ql-block"><br></p><p class="ql-block">例如，在“羅氏”甲骨文作品中，李剛?藝禪通過獨特的藝術(shù)構(gòu)圖和表現(xiàn)手法，將甲骨文字與周圍的色彩、圖形元素相互呼應(yīng)，營造出一種神秘而深邃的氛圍。觀者在欣賞作品時，仿佛能夠穿越時空，感受到羅氏家族的歷史傳承與文化底蘊，進而觸碰到文字所承載的精神本體。這種理論與實踐的結(jié)合，使李剛?藝禪的甲骨文作品不僅僅是視覺上的藝術(shù)享受，更成為了一種精神層面的探索與啟迪。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">作品／苗 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Li Gang Yi Chan not only continuously explored artistic creation practice, but also constructed the theoretical theory of the "Tian Chui Xiang School", providing solid theoretical support for his literary art creation. This theoretical theory is deeply influenced by the ideas of Siddhartha Gautama, emphasizing the concept of the "ontological world" and believing that "between two points is the present, and piercing through between two points is the burning ontological world". In his creation of oracle bone inscriptions, this theory has been fully reflected. Each artwork attempts to guide the viewer to delve deeper into the present moment between two points, thus entering the infinite spiritual space (ontological world) hidden behind the text.</span></p><p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">For example, in the "Roche" oracle bone inscriptions, Li Gang Yi Chan uses unique artistic composition and expression techniques to create a mysterious and profound atmosphere by echoing the oracle bone inscriptions with surrounding colors and graphic elements. When appreciating works, viewers seem to be able to travel through time and space, feel the historical inheritance and cultural heritage of the Roche family, and then touch the spiritual essence carried by words. The combination of theory and practice has made Li Gang Yichan's oracle bone inscriptions not only a visual artistic enjoyment, but also a spiritual exploration and enlightenment.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／秦 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block">李剛?藝禪創(chuàng)作的甲骨文《百家姓》系列作品，涵蓋了王氏、鳳氏、羅氏、張氏、郭氏、秦氏、苗氏等眾多姓氏，具有重要的社會意義。</p><p class="ql-block"><br></p><p class="ql-block">這些作品以大眾熟悉的百家姓為切入點，將古老的甲骨文以現(xiàn)代藝術(shù)的形式呈現(xiàn)出來，降低了人們理解甲骨文的門檻。通過在各種藝術(shù)展覽、文化活動中的展示，吸引了眾多觀眾的關(guān)注，激發(fā)了人們對中國文字的興趣。無論是專業(yè)的藝術(shù)愛好者，還是普通的民眾，都能夠在欣賞作品的過程中，感受到中國文字的魅力，從而推動中國文字走進千家萬戶，增強民眾對本國文字的認同感與自豪感。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">作品／趙 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">The series of oracle bone inscriptions "Hundred Family Surnames" created by Li Gang Yichan covers many surnames such as Wang, Feng, Luo, Zhang, Guo, Qin, Miao, etc., and has important social significance.</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">These works take the well-known Hundred Family Surnames as the starting point, presenting ancient oracle bone inscriptions in the form of modern art, lowering the threshold for people to understand oracle bone inscriptions. By showcasing in various art exhibitions and cultural events, it has attracted the attention of numerous audiences and sparked their interest in Chinese characters. Both professional art enthusiasts and ordinary people can feel the charm of Chinese characters while appreciating works, thereby promoting Chinese characters to enter thousands of households and enhancing people's sense of identity and pride in their own country's characters.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／尤 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block">姓氏是家族傳承的重要標志，承載著家族的歷史與文化記憶。李剛?藝禪的甲骨文《百家姓》作品，通過對每個姓氏甲骨文字形的藝術(shù)化呈現(xiàn)，讓人們更加直觀地了解自己姓氏的起源與演變。當人們看到自己姓氏的甲骨文作品時，會不自覺地去探尋家族的歷史淵源，追溯祖先的足跡，從而激發(fā)尋根問祖的意識。這種意識的覺醒，有助于增強家族凝聚力，促進傳統(tǒng)文化的傳承與發(fā)展。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">作品／孫 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">Surname is an important symbol of family inheritance, carrying the historical and cultural memory of the family. Li Gang Yi Chan's oracle bone script work "Hundred Family Surnames" presents the artistic form of each surname's oracle bone script, allowing people to have a more intuitive understanding of the origin and evolution of their surnames. When people see oracle bone inscriptions of their surnames, they unconsciously explore the historical origins of their families, trace the footsteps of their ancestors, and thus stimulate the awareness of seeking roots and asking for ancestors. The awakening of this consciousness helps to enhance family cohesion and promote the inheritance and development of traditional culture.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">作品／張 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">尺寸／0.50X0.60</span></p> <p class="ql-block">李剛?藝禪對中國文字藝術(shù)的探尋，尤其是其通過現(xiàn)代藝術(shù)視覺賦能甲骨文字的創(chuàng)作實踐以及“天垂象派”理論學說的構(gòu)建，為中國古老文字藝術(shù)在當代的發(fā)展開辟了新的道路。其甲骨文《百家姓》新藝術(shù)視覺作品，在色彩運用、藝術(shù)表現(xiàn)形式等方面的創(chuàng)新，不僅賦予了甲骨文字新的生命力，也為藝術(shù)創(chuàng)作提供了新的思路。同時，這些作品所具有的社會意義，對于推動中國文字的傳播與傳承、激發(fā)民眾的尋根問祖意識具有不可忽視的作用。在未來，期待李剛?藝禪能夠繼續(xù)在文字藝術(shù)領(lǐng)域深入探索，創(chuàng)作出更多優(yōu)秀的作品，讓中國文字藝術(shù)在世界文化舞臺上綻放更加耀眼的光芒。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／孟 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">Li Gang Yi Chan's exploration of Chinese character art, especially his creative practice of empowering oracle bone script through modern art vision and the construction of the theory of "Tian Chu Xiang School", has opened up new paths for the development of ancient Chinese character art in contemporary times. His new art visual work "Hundred Family Surnames" in oracle bone script not only endows oracle bone script with new vitality in terms of color application and artistic expression, but also provides new ideas for artistic creation. At the same time, the social significance of these works cannot be ignored in promoting the dissemination and inheritance of Chinese characters, and inspiring people's awareness of seeking roots and ancestors. In the future, we look forward to Li Gang Yichan continuing to explore the field of textual art and creating more outstanding works, allowing Chinese textual art to shine brighter on the world cultural stage.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／馮 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／韓 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／朱 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／宋 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／尹 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">作品／于 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">尺寸／0.50X0.60</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">作品／方 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">尺寸／0.50X0.60</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">吉祥百家/藝禪畫符（視頻）</span></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(237, 35, 8);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;">吉祥百家/藝禪畫符（視頻）</span></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(237, 35, 8); font-size:15px;"><span class="ql-cursor">?</span></span></p><p class="ql-block">?</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px;">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">李剛·藝禪／雕塑家 畫家 書法家</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">（生于新疆）原籍貫江蘇省 徐州市</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">1985年在中央美術(shù)學院油畫系學習</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">1993在中央美術(shù)學院雕塑系助教研修班學習</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">1995年在中央美術(shù)學院城市雕塑高級研修班學習</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">（俄羅斯列賓美術(shù)學院 庫巴索夫主講）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">曾經(jīng)任教新疆藝術(shù)學院</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">1996年創(chuàng)辦新疆城市雕塑創(chuàng)作設(shè)計研究中心</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">中國雕塑家學會理事</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">中國當代雕塑研究院副院長</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">中國工藝美術(shù)學會雕塑專業(yè)委員會委員</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">匈牙利中旬美術(shù)家協(xié)會副主席</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">新疆雕塑學會副會長</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">北京城市規(guī)劃研究會公共環(huán)境與雕塑委員會副主任</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">原北京城市雕塑辦公室專家 顧問</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">乙巳年</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">2025年6月12日</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">北 京</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">文／尚柔</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">圖片/謫仙</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">翻譯／心語</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">總監(jiān)／一禪</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">百度 搜索</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">“天垂象派”</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">“雕塑家李剛”、“李剛立體主義”</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">可以了解更多有關(guān)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">雕塑家李剛作品及藝術(shù)評論</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">致謝“百度“支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">致謝“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">部分圖片（視頻）來自“百度”“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">歡迎您</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">互相交流 相互支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">誠摯建立一個良好的交流平臺，</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">為能量文化做好自己</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">北京通州區(qū)宋莊園領(lǐng)部落C幢4單元102室</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">李剛雕塑藝術(shù)工作室</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">AAbc?原創(chuàng)/中國藝術(shù)&線上國際</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">感謝閱讀能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">歡迎支持轉(zhuǎn)摘.轉(zhuǎn)發(fā)中國能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">本?平臺無嘗為一線各類優(yōu)秀藝術(shù)家服務(wù)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">可在留言處留言</span></p>