<p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Contemporary Reconstruction of Li Gang's Philosophy of Art and Oriental Aesthetics</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">伏羲八卦／藝禪彩繪</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／太極</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"><span class="ql-cursor">?</span></span></p> <p class="ql-block">在當(dāng)代藝術(shù)多元融合的浪潮中，中國藝術(shù)家李剛·藝禪以其獨(dú)特的“天垂象派”藝術(shù)學(xué)說，構(gòu)建了一條貫通傳統(tǒng)哲學(xué)與當(dāng)代精神的視覺通道。這一學(xué)說的核心，既根植于《周易》的宇宙觀與佛教禪宗的覺性智慧，又通過對(duì)甲骨文、伏羲八卦等文化符號(hào)的創(chuàng)造性轉(zhuǎn)化，為東方藝術(shù)在全球化語境下的價(jià)值重構(gòu)提供了嶄新的理論范式。</p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">In the wave of diverse integration in contemporary art, Chinese artist Li Gang · Yi Chan has constructed a visual channel that connects traditional philosophy with contemporary spirit through his unique "Tian Chu Xiang School" art theory. The core of this theory is rooted not only in the cosmology of the Book of Changes and the wisdom of Zen Buddhism, but also in the creative transformation of cultural symbols such as oracle bone inscriptions and the Eight Trigrams of Fuxi, providing a new theoretical paradigm for the value reconstruction of Eastern art in the context of globalization.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">伏羲八卦／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／乾卦（天）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">一、天垂象：從《周易》到覺性美學(xué)的理論基石</p><p class="ql-block">“天垂象”一詞源自《周易·系辭》中“天垂象，見吉兇”的哲學(xué)命題，李剛·藝禪將其演繹為藝術(shù)創(chuàng)作的本體論框架。在他的理論體系中，那道貫穿姓氏繪畫的“靈光”，既是對(duì)《周易》“觀物取象”思維的視覺轉(zhuǎn)譯，也是佛教“空性”哲學(xué)的具象化呈現(xiàn)。藝術(shù)家將甲骨文字的結(jié)構(gòu)解構(gòu)為陰陽兩極的碰撞場域，當(dāng)象征天道的“光”穿透姓氏符號(hào)的間隙時(shí)，瞬間的筆觸便成為連接有限與無限、現(xiàn)象與本體的時(shí)空隧道。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">In his theoretical system, the "spiritual light" that runs through the painting of surnames is not only a visual translation of the thinking of "observing things and taking images" in the Book of Changes, but also a concrete presentation of the Buddhist philosophy of "emptiness". The artist deconstructs the structure of oracle bone inscriptions into a collision field of yin and yang. When the "light" symbolizing the Way of Heaven penetrates the gaps between surname symbols, the momentary strokes become a space-time tunnel connecting finite and infinite, phenomena and essence.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">伏羲八卦／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／坎卦（水）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">這種創(chuàng)作理念在“伏羲卦象/藝禪彩繪”系列中達(dá)到極致。乾卦的金色光暈與坎卦的流動(dòng)水紋，通過潑彩技法的層疊滲透，使八卦符號(hào)超越占卜工具的傳統(tǒng)屬性，轉(zhuǎn)化為充滿能量張力的當(dāng)代視覺語言。正如《道德經(jīng)》所言“大制不割”，李剛的藝術(shù)實(shí)踐證明：最古老的東方符號(hào)系統(tǒng)，恰恰能通過本體論層面的解構(gòu)與重組，激發(fā)出最先鋒的審美體驗(yàn)。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">Li Gang's artistic practice proves that the oldest Eastern symbol system can precisely stimulate the most avant-garde aesthetic experience through ontological deconstruction and reorganization.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文化／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／心向光明</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.20X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">二、吉祥百家姓：文字考古學(xué)的當(dāng)代轉(zhuǎn)譯</p><p class="ql-block">在“吉祥百家姓”創(chuàng)作中，李剛·藝禪完成了一次文化基因的創(chuàng)造性解碼。他將甲骨文字形中的祭祀圖騰、器物紋樣進(jìn)行拓?fù)鋵W(xué)重構(gòu)，使每個(gè)姓氏都成為承載集體記憶的能量場域。作品中那道標(biāo)志性的“通天之光”，既是書法線條的物性延伸，也是《壇經(jīng)》“直指人心”的視覺隱喻——當(dāng)觀者的視線沿著光路溯游時(shí)，姓氏符號(hào)的能指邊界逐漸消融，最終指向“山河大地是如來”的禪悟境界。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">2、 Lucky Hundred Family Surnames: Contemporary Translation of Textual Archaeology</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">In the creation of "Lucky Hundred Family Surnames", Li Gang Yi Chan completed a creative decoding of cultural genes. He reconstructed the sacrificial totems and artifact patterns in the oracle bone inscriptions using topology, making each surname an energy field that carries collective memory. The iconic "Heavenly Light" in the work is not only an extension of the physical properties of calligraphy lines, but also a visual metaphor of "pointing directly to the human heart" in the "Tantra Sutra" - as the viewer's gaze travels along the path of light, the signifier boundary of the surname symbol gradually dissolves, ultimately pointing to the meditative realm of "mountains, rivers, and the earth are Tathagata".</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／山河大地是如來</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">這種創(chuàng)作方法論顛覆了文字書寫的傳統(tǒng)范式：甲骨文的刻痕不再是歷史化石，而是成為連通古今的時(shí)空蟲洞；水墨的濃淡不再局限于形式美感，而是轉(zhuǎn)化為“致中和”的哲學(xué)表達(dá)。通過將文字學(xué)考據(jù)轉(zhuǎn)化為能量流動(dòng)的視覺敘事，李剛實(shí)現(xiàn)了從“字象”到“心象”的美學(xué)躍遷。</p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">This creative methodology subverts the traditional paradigm of written language: the marks on oracle bone inscriptions are no longer historical fossils, but have become wormholes that connect ancient and modern times; The intensity of ink painting is no longer limited to formal beauty, but is transformed into a philosophical expression of "achieving harmony". By transforming textual research into visual narratives of energy flow, Li Gang achieved an aesthetic leap from "character imagery" to "heart imagery".</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／致中和</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯 不銹鋼</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／3.00X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">三、跨文化語境下的符號(hào)革命</p><p class="ql-block">“天垂象派”的理論構(gòu)建，本質(zhì)上是對(duì)東方藝術(shù)現(xiàn)代性命題的回應(yīng)。在裝置作品《一個(gè)中》里，懸浮的甲骨文碎片在激光投影中重組為動(dòng)態(tài)星圖，這種對(duì)“天人合一”觀念的賽博格式詮釋，揭示出傳統(tǒng)哲學(xué)與數(shù)字美學(xué)的深層共鳴。當(dāng)水墨氤氳遇見參數(shù)化設(shè)計(jì)，當(dāng)禪宗公案邂逅現(xiàn)象學(xué)直觀，李剛的藝術(shù)實(shí)驗(yàn)證明了：中國文化的核心基因具有超越媒介局限的永恒生命力。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">3、 Symbolic Revolution in Cross Cultural Context</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">The theoretical construction of the "Tian Chui Xiang School" is essentially a response to the proposition of modernity in Eastern art. In the installation work 'One China', suspended oracle bone fragments are reconstructed into a dynamic star map through laser projection. This cyber format interpretation of the concept of 'unity of heaven and man' reveals a deep resonance between traditional philosophy and digital aesthetics. When ink painting meets parametric design, when Zen Buddhism meets phenomenological intuition, Li Gang's artistic experiments prove that the core genes of Chinese culture have eternal vitality that transcends media limitations.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／一個(gè)中</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.20X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">太陽系列／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／正大光明</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">該學(xué)派在國際藝壇引發(fā)的關(guān)注，正源于其構(gòu)建的“超文化符號(hào)系統(tǒng)”。在威尼斯雙年展展出的《心向光明》系列中，甲骨文筆觸與光效應(yīng)藝術(shù)的交融，使東方玄學(xué)思維與西方視幻藝術(shù)產(chǎn)生了量子糾纏般的化學(xué)反應(yīng)。這種既保持文化主體性又具備普世對(duì)話能力的創(chuàng)作路徑，或許正是中國藝術(shù)走向本體論自信的關(guān)鍵。</p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">The attention that this school has attracted in the international art world stems from the "cross-cultural symbol system" it has constructed. In the "Heart Towards Light" series exhibited at the Venice Biennale, the fusion of oracle bone script strokes and light effect art creates a quantum entanglement like chemical reaction between Eastern mystical thinking and Western visual illusion art. This creative path that maintains cultural subjectivity while possessing universal dialogue ability may be the key to the ontological confidence of Chinese art.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">作品／趙 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥百家／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／李 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">結(jié)語：本體之光與未來之維</p><p class="ql-block">李剛·藝禪的“天垂象派”，以其對(duì)東方哲學(xué)的精微體察和對(duì)當(dāng)代語境的敏銳把握，重構(gòu)了傳統(tǒng)藝術(shù)的表達(dá)維度。那道貫穿作品的“靈光”，既是藝術(shù)家擊穿文化隔閡的審美利刃，也是引導(dǎo)觀者回歸本體的覺性之橋。在文明對(duì)話日益深化的今天，這種將《周易》的宇宙模型、禪宗的頓悟智慧與當(dāng)代視覺語法熔鑄一體的藝術(shù)探索，不僅為“中國學(xué)派”的理論建設(shè)提供了范本，更預(yù)示著東方美學(xué)在未來藝術(shù)史書寫中的全新可能。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">Conclusion: The Light of Being and the Dimension of the Future</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Li Gang Yi Chan's "Tian Chui Xiang School" reconstructed the expression dimension of traditional art with his subtle observation of Eastern philosophy and keen grasp of contemporary context. The 'spiritual light' that runs through the work is not only an aesthetic blade for the artist to break through cultural barriers, but also a bridge of awareness to guide the viewer back to the essence. In today's increasingly deepening dialogue among civilizations, this artistic exploration that integrates the cosmic model of the Book of Changes, the enlightenment wisdom of Zen Buddhism, and contemporary visual grammar not only provides a model for the theoretical construction of the "Chinese School", but also heralds a new possibility for Eastern aesthetics in future art history writing.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／天人合一</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">當(dāng)我們在李剛的作品前凝視那道“通天之光”時(shí)，或許能真正理解石濤“一畫論”的當(dāng)代回響——每個(gè)筆觸都是創(chuàng)世紀(jì)的原點(diǎn)，每道光芒都是文明重生的火種。這或許就是“天垂象派”留給這個(gè)時(shí)代最珍貴的啟示：真正的藝術(shù)創(chuàng)新，永遠(yuǎn)是對(duì)文化本體的創(chuàng)造性回歸。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">When we gaze at the "Heavenly Light" in front of Li Gang's works, perhaps we can truly understand the contemporary echo of Shi Tao's "One Painting Theory" - every stroke is the origin of creation, and every ray of light is the spark of civilization's rebirth. This may be the most precious inspiration left by the 'Tianchuixiang School' for this era: true artistic innovation is always a creative return to the cultural essence.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文化／藝禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／砥礪前行</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／3.00X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">伏羲八卦/藝禪畫符（視頻）</span></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"><span class="ql-cursor">?</span></span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文化/藝禪畫符（視頻）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">李剛·藝禪／雕塑家 畫家 書法家</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">（生于新疆）原籍貫江蘇省 徐州市</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">1985年在中央美術(shù)學(xué)院油畫系學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">1993在中央美術(shù)學(xué)院雕塑系助教研修班學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">1995年在中央美術(shù)學(xué)院城市雕塑高級(jí)研修班學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">（俄羅斯列賓美術(shù)學(xué)院 庫巴索夫主講）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">曾經(jīng)任教新疆藝術(shù)學(xué)院</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">1996年創(chuàng)辦新疆城市雕塑創(chuàng)作設(shè)計(jì)研究中心</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">中國雕塑家學(xué)會(huì)理事</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">中國當(dāng)代雕塑研究院副院長</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">中國工藝美術(shù)學(xué)會(huì)雕塑專業(yè)委員會(huì)委員</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">匈牙利中旬美術(shù)家協(xié)會(huì)副主席</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">新疆雕塑學(xué)會(huì)副會(huì)長</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">北京城市規(guī)劃研究會(huì)公共環(huán)境與雕塑委員會(huì)副主任</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">原北京城市雕塑辦公室專家 顧問</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">乙巳年</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">2025年4月18日</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">北 京</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">文／尚柔</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">圖片/謫仙</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">翻譯／心語</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">總監(jiān)／一禪</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">百度 搜索</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">“天垂象派”</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">“雕塑家李剛”、“李剛立體主義”</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">可以了解更多有關(guān)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">雕塑家李剛作品及藝術(shù)評(píng)論</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">致謝“百度“支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">致謝“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">部分圖片（視頻）來自“百度”“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">歡迎您</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">互相交流 相互支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">誠摯建立一個(gè)良好的交流平臺(tái)，</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">為能量文化做好自己</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">北京通州區(qū)宋莊園領(lǐng)部落C幢4單元102室</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">李剛雕塑藝術(shù)工作室</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">AAbc?原創(chuàng)/中國藝術(shù)&線上國際</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">感謝閱讀能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">歡迎支持轉(zhuǎn)摘.轉(zhuǎn)發(fā)中國能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">本?平臺(tái)無嘗為一線各類優(yōu)秀藝術(shù)家服務(wù)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">可在留言處留言</span></p>